----------------------------- A NOTE REGARDING THIS VERSION ----------------------------- This script is from the HIS COMPANY CATALOGUE of plays and musical resources. It is in ASCII (or plain text) format, and is intended only to be used for evaluation purposes. Visit our web site at http://hc.dlampel.com to download the FREE Adobe Acrobat (PDF) version for performance. ----------- DESCRIPTION ----------- THE PROPHECY Type: Musical Resource; 3-act musical Description and Synopsis: The Prophecy is the first part of the tetralogy entitled "I Must Decrease; He Must Increase," which tells the story of John the Baptist and Jesus the Christ. The primary source for The Prophecy is the first chapter of the gospel according to Luke. Zechariah and Elizabeth are people "righteous in the sight of God." Both are from priestly families and of advanced years. Elizabeth is considered barren and beyond the years of childbirth. This has been a major diappointment in their life. But God has not forgotten them. He will use them to introduce His plan for the salvation of all through His Son, Jesus Christ. John the Baptist came into this world to prepare the way for the Christ; Jesus came into this world as the Christ--the Messiah. Together they changed for all time the relationship people would have with God. They were the turning point from a reliagion of salvation by works and the law to a life of eternal light by acceptance of the Savior. (from Program Notes) Scenes: Prologue: Mary's Soliloquy after the ascension of Jesus Act One Scene One: Zechariah's house in a city of Judah Scene Two: Jerusalem Temple; the next week Scene Three: Zechariah's house Scene Four: The local synagogue Act Two Scene One: Zechariah's house; six months later Act Three Scene One: A street outside Zechariah's house; 3 months later Scene Two: Zechariah's house; eight days later Songs: O Come, O Come Emmanuel (Program music) Act One Scene One: A Promise is a Promise - Zechariah & Elizabeth Where Do We Go From Here - Zechariah, Elizabeth & Anna Scene Two: He Will Be Great - Gabriel & Zechariah Act Two Scene One: I Can't Believe It - Elizabeth Sing Out My Soul - Mary -or- Trust His Heart (from "From Heaven's Throne") - Eliz & Mary Act Three Scene Two: Blessed Be the Lord - Zechariah & Company For Unto Us/Glory to God - Anna & Company -or- Go Change the World (from "From Heaven's Throne") All music is from Dawn of Promise by Walt Harrah, Word publishers. Book #38003 Trax #DT 61 (reel) #DC 61 (cassette) Record #WSB-8882 PLEASE NOTE: This version of The Prophecy includes some songs from the musical "From Heaven's Throne" by David T. Clydesdale (Word, 1993). These were inserted, and the script re-written, for a church that recently performed this musical. Anyone staging The Prophecy is encouraged to contact the author regarding any requested song or script changes. We are always happy to make adjustments for individual productions. Christian music has a short shelf-life; music recordings and literature go quickly out of print. Before committing to this musical, verify the availability of literature and/or Trax. However, if this literature and/or Trax is out of print and the publisher gives permission, a performance copy of the Trax may be copied from my Reel-Reel version and copies may be made from my books. Characters: Mary (for Prologue, an old woman; later, as younger) Zechariah Elizabeth Anna Gabriel (in our production an off-stage voice) Rabbi Thomas Aaron Midwife John (as an eight-day old baby) Set & Props: Armload of firewood Cradle for firewood Rude, household table Misc. foodstuffs (vegetables, bread, etc.) Traveling stick and bag Altar at temple Incense Benches for synagogue Scrolls Pitcher & drinking cup(s) Writing slate (for last scene) Length: 60 min. ------ SCRIPT ------ THE PROPHECY Copyright (c) 2000 David S. Lampel His Company Introduction (A number in brackets ( [1] ) refers to a note located at the end of the script. These notes are often used for suggestions on blocking and assignments during songs, or notes on set pieces and props.) NOTE: It is highly recommended that anyone planning on staging this musical consider this Internet edition of the script for review purposes only. Please order a (free) printed copy of the script for production purposes. The Scenes PROLOGUE ACT ONE Scene 1 - Zechariah's house, in a city of Judah Scene 2 - Jerusalem Temple; the next week Scene 3 - Zechariah's house Scene 4 - The local synagogue ACT TWO Scene 1 - Zechariah's house; six months later ACT THREE Scene 1 - A street outside Zechariah's house; three months later Scene 2 - Zechariah's house; eight days later The Songs PROLOGUE - O Come, O Come Emmanuel ACT ONE Scene 1 - A Promise is a Promise : Zechariah & Elizabeth - Where Do We Go From Here : Zechariah, Elizabeth & Anna Scene 2 - He Will be Great : Gabriel & Zechariah ACT TWO Scene 1 - I Can't Believe It : Elizabeth - Trust His Heart : Mary & Elizabeth ACT THREE Scene 2 - Blessed be the Lord : Zechariah & Company - Go Change The World/Trust His Heart : Anna & Company The Characters (in order of appearance) Zechariah Zechariah is a priest in his sixties. He is a pious and Godly man, ever mindful of scripture and the law. While Zechariah is a righteous man in God's eye, he is nevertheless human, with human frailties. He has a quick temper. He loves his God passionately but is not afraid to vent his anger in God's direction. He loves nothing more than reasoning with his colleagues over the scriptures. Zechariah is a man impatient with the weaknesses in others. Elizabeth The wife of Zechariah is a quiet and mature woman in her sixties. She contributes the reasoned balance to their household. Of the two, Elizabeth is the one aware of the social atmosphere of their village and the political situation of their country. While she is bitter that God has not given her a child she delights in the children of others. The love she feels for all people surpasses her resentment for her barren marriage. Anna Anna is a prophetess of eighty-three years. She is visibly older than Zechariah and Elizabeth. However, her reasoning powers and scriptural scholarship have not been clouded by the years. She retains a clarity of thought surpassing most of her colleagues at the temple and local synagogue. Anna's years give her the advantage of not having to put up with anything the least displeasing to her. She assumes a position of authority around others--an authority accompanied by a crusty delivery; yet, beneath her gruf f exterior lies an empathy with her people. Anna loves a good fight--especially a verbal battle over the scriptures. The Rabbi The rabbi is the elder of the community, guiding the spiritual education of his people from the classroom of the local synagogue. He brooks no levity and is particularly short of patience with youth. He is a stern teacher, unhappy with compromise. Thomas & Aaron The friends of Zechariah are local family men in their thirties (or forties). Thomas is the elder of the two and a bit more serious in nature than his companion, Aaron. Both are spiritually hungry and spend much time in the tutelage of the rabbi. Mary We meet the virgin Mary just after the angel has announced the conception of Jesus and John. The girl has come to visit her "cousin" (used in the broader sense of their being somehow related). She is a fresh-faced--yet Spiritually receptive and insightful--young woman. The Midwife Our good midwife is the neighborhood "nurse". She is the radiant, bustling type, who immediately takes charge of the situation. She is in her sixties or seventies and a mother-figure for the neighborhood. Prologue -------- Slow dim on houselights to black. [The Storyteller (Narrator) enters in darkness and takes a position (ideally) set apart from main set.] Spot or small area lights up on Storyteller. STORYTELLER God's salvation in Christ is a miracle--a miracle of grace. The virgin birth of Jesus was a miracle; His resurrection and ascension were miracles. But before these could even take place there was another miracle: the birth of John to a woman well past her child-bearing years. God's plan for our salvation always included John. He was not the long-awaited Christ, but was--as he himself said--not even worthy to untie the Christ's sandals. John said that the one who would come after him had already surpassed him, because he was before him.1 (pause) Together these two men--the first, a righteous man; the second, holy God--these two men would forever change the world--and forever change how we would come to our God. (pause) Both of these men--John the Baptist and Jesus, the Christ--came during a time of troubled expectation for the nation of Israel. For centuries the people had waited and longed for their Messiah to come and save them. The prophets encouraged their faith, but with each generation their hopes dimmed. + Under the Romans and wicked Herod their trust in God grew bitter and old. When would He come? When would the Savior come to deliver them from the evil of the world? (pause) They expected a political savior who would fight their wars, win their battles--finally rid them of the Romans. (pause; with greater intensity) They weren't prepared for the savior they got. Lights out on Storyteller. [Storyteller exits in darkness.] Song: O COME, O COME EMMANUEL - Playing under rest of Prologue; timed to end abruptly at p.16, last meas., as Zechariah enters. Act One, Scene One ------------------ Zechariah's house in a city of Judah [1] Lights up gradually on interior set of Zechariah's house as program music nears end, so that lights are up full just before Zechariah's entrance. [Zechariah enters through doorway. He is loaded down with firewood and is visibly straining under the weight and/or clumsy arrangement of sticks and branches.] ZECHARIAH Elizabeth! (he struggles with his load; more insistently) Wife! (about ready to drop the load of wood) Lord, in all your wisdom, why did you give me a wife who's never at home? [Elizabeth enters just as Zechariah's load of wood crashes to the floor.] ZECHARIAH (irritated) Elizabeth! Where have you-- ELIZABETH (unaware he has even addressed her) Oh, husband. What a beautiful baby Rachel has. (excitedly) He talks and talks and is so cute, but never cries--never's a bother. [Zechariah takes a deep breath, preparing to scold her for being gone so long, but Elizabeth continues before he can speak.] ELIZABETH (continuing) And that's their third child in as many years! O, God has richly blessed that house. ZECHARIAH God would bless *this* house if the wife would stay home once in awhile. (wincing, holding his back; pouting) I think I hurt myself bringing in the firewood. ELIZABETH (going to him; not taking Zechariah entirely seriously) There, there; I'm home now. (together they pick up the pieces of wood, as Elizabeth continues) Forgive me for spending more time at the neighbors than here. It's the emptiness of this house that drives me to others. (now feeling sorry for herself) God has forgotten me in my old age and the barrenness of this home only reminds me of my shame. (with a martyred sigh) At least I can share in the joy of others. ZECHARIAH (with firm, yet tested, patience) Elizabeth, our God doesn't forget. There's purpose in all that He does. Is it not written-- [Elizabeth turns her eyes pleadingly toward heaven; he's always quoting the scriptures.] Zechariah (continuing without pause) --in the book of Ecclesiastes, "For everything there is set a time; and there is a time for every pleasure under heaven. A time to give birth and a time to die; a time to--"2 ELIZABETH (interrupting) I want to give birth before I die. Is that too much to ask of God? (pause) You can quote the scriptures all you want, but it takes away none of the pain. ZECHARIAH (sharply) Now you forget. I'm without a son. You're not alone in your pain. (pause; visibly trying to suppress his anger; measured) If God has chosen for us to remain without children, then we must not question His wisdom-- (releasing his pent-up frustration) --no matter how ridiculous that wisdom seems! ELIZABETH (quietly ashamed ) Our neighbors say it's God punishing us. ZECHARIAH (defensively) No one is more obedient to the Lord than I! ELIZABETH (accusatory) Then why? You're the priest. Explain to me why I must go through this humiliation. ZECHARIAH (holding up his hands) Enough. We must not question. ELIZABETH (resigned; with a sigh) It doesn't matter. I'm far too old, anyway. (picking up some handiwork and sitting) Now tell me, how was your day at the synagogue? What was the topic today? ZECHARIAH (almost embarrassed) Bones. ELIZABETH (with a quizzical look) Bones? ZECHARIAH (with a shrug) Bones. (he quotes) "Many are the afflictions of the righteous; but the Lord delivers Him out of them all. He keeps all his bones; not one of them is broken."3 (He pauses and, noticing Elizabeth's confused look, reminds her) In the First Book of the Psalms. ELIZABETH (quickly) Aaahhh--- (suddenly realizing she hasn't a clue as to what he is talking about; with a look) Whose bones? ZECHARIAH (quickly) Precisely the point! Division--always division at the synagogue. (warming to the topic) Some say God speaks of Himself--that as the only one, powerful God it would be impossible for His bones to be broken. Others say the passage refers to the bones of Joseph being carried out of Egypt. Some say Moses, since God Himself dug the grave of that man. ELIZABETH (proudly) And what does my learned husband say? ZECHARIAH It's clear! The answer lies not with the bones, but with the previous line: "The Lord delivers Him out of them all." Surely it speaks of the Messiah. Earlier in the passage it says, "The righteous cry and the Lord hears, and delivers them out of all their troubles."4 (Zechariah is agitated by now.) An idiot can see it! ELIZABETH (after a pause; protectively) You were alone in your opinion, weren't you? ZECHARIAH (sighing) They won't listen to me. I tell them day after day: The Messiah comes, and soon! They're a strange group of men, Elizabeth. With all their being they want our Savior to come and deliver us from these horrible Romans--yet they deny the very evidence of His coming. ELIZABETH But don't you all have the same scriptures and study together? ZECHARIAH Each person has his own idea of what the Savior will be. Each person has his own problems, and for that person, the Messiah is the one who will take away those problems. ELIZABETH (with a reflective tone) To me, the Messiah has always been someone who'll take away sickness and sorrow. A person of compassion and tenderness. + ZECHARIAH Many would agree. The scriptures say that. But the scriptures also say (with growing intensity) He'll be a mighty ruler, who will reign over all nations to the end of the earth--and will break them with a rod of iron. He'll be the Son of Almighty God. ELIZABETH And what about you? What will the Messiah be to my husband? ZECHARIAH (after a pause to put his thoughts together) He'll be all things to all people. To those who need comfort, He'll bring peace; to those who need a deliverer, He'll bring release. My peace comes from knowing God has promised the Messiah will come. When and how don't matter--only the promise. Song: A PROMISE IS A PROMISE - Duet, Zechariah & Elizabeth 3:55 [2] As Zechariah and Elizabeth finish the song and go back to their domestic business, the prophetess Anna arrives. ANNA (shouting from outside the house) Zechariah! [Elizabeth and Zechariah hear Anna, but are slow to respond.] ANNA (impatiently) Zechariah! Elizabeth! [As Elizabeth turns toward the doorway Anna enters on her own.] ELIZABETH (politely, respectfully) A good day to you, Anna. You're looking well. ANNA (wryly) For an old lady, you mean? ELIZABETH No, no, I-- ANNA (raising her hand to cut Elizabeth short) The priests sent me to remind Zechariah it's his time for duty at the temple. (aside to Elizabeth or audience) He occasionally forgets things, you know. ZECHARIAH (bowing with forced respect, his voice tinged with sarcasm) May the Lord shine upon you--old woman. ANNA (in kind--she doesn't much like him either) May the God of Abraham smile upon the priest of Abijah.5 ELIZABETH (coming between them) Please, Anna, sit and rest your feet. [Elizabeth direct Anna to a nearby bench, where she sits.] ELIZABETH (continuing after Anna is settled in) Tell us, what's the news from Jerusalem? ANNA (disgustedly) Jerusalem's the same as always; the Romans poke at us from one side and the Pharisees prod from the other. There's quibbling and argument in the holy temple every day. I wait for Messiah to come and rid us of the lot of them. (getting up and going to Elizabeth; bending over, putting her ear to Elizabeth's stomach) Any rumblings of late? ELIZABETH (backing away; embarrassed) Anna, please! ZECHARIAH (sternly) Why do you mock us so? ANNA You're the ones who mock the Lord. You say you walk closely with God, yet you tie His hands. ZECHARIAH Watch your tongue, woman! ANNA (to Zechariah) Do you believe God created this world of ours? ZECHARIAH (where's she going with this?) Yes. ANNA (to Elizabeth) Do you believe the creatures that soar in the air and swim beneath the sea and walk about the land were designed by Him? ELIZABETH (confused) Why yes. ANNA (to Zechariah) And do you, priest, believe that Almighty God can take the breath from your body in an instant? ZECHARIAH (impatiently) Of course, but what-- ANNA (interrupting) But in this one thing you tie the Lord's hands; you say He can do all this, but hasn't the power--or the inclination--to grant a child to this woman. ZECHARIAH (firmly) God created the laws of nature and His creations must abide by them. When people--when women--reach a certain age, it's simply not possible for them to bear children. God has decided we'll be childless. So be it. ELIZABETH Anna, no woman in this town wants a child more than I. But, if it's His will that I remain barren, then I have to accept His decision. ANNA (to Elizabeth) What you've accepted is His inability to work a miracle in your life. And in that, you deny the power of our God. (pause) Do either of you question that God will send us a deliverer? ELIZABETH No-- ZECHARIAH Our very lives are committed to His coming. ANNA My God tells me that our Messiah and savior won't spring upon us unannounced--as a storm might catch a ship by surprise. No, I've heard the voice--the voice Isaiah speaks of, crying in the wilderness: "Clear the way for the Lord; in the desert, make smooth the highway for our God. Let every valley be raised, and every mountain and hill be lowered; let the rough ground become a smooth plain, and the rugged terrain a broad valley; then--then shall the glory of the Lord be revealed and all will see it together, for the mouth of the Lord has spoken."6 [Zechariah tries to interrupt.] ANNA (continuing) Our prophet, Malachi, was told the same by God: "Behold, I am going to send My messenger, and he will prepare the way before me."7 ZECHARIAH Why do you speak of a messenger? What has this to do with us? ANNA The Lord has always used the impossible to accomplish His will. From dust He made man, from a rib He fashioned woman; out of Sarah he built a nation that passed from slavery into dominance. (pointedly, to Zechariah) And you doubt that he can take a woman, barely entered into old age, and bless her with a child? (with a measure of ridicule) Where is this great faith you speak of? ZECHARIAH (somberly, after a pause) Weakened by years of disappointment. (pause) Withered by hope unrewarded. ANNA Well, Zechariah, your Lord requires just a bit more patience from you. He has immeasurable patience with your human weaknesses; show Him a little patience in return--and He'll accomplish great things. ELIZABETH (to Anna) Why would He subject me to a lifetime of shame, only to answer our plea at this late hour? Why not give me a child in my youth instead of waiting until my feeble old-age. I tell you, if He is to answer our prayers He'd better hurry. (pause) Every time the weather changes, my joints tell me: He had better hurry. ZECHARIAH (with wearied anger) Anna, you've only reminded us--once again--of what we most want and still do not have. Why? ANNA (firmly) I speak for God; I'm His messenger in this pitiful land. I bring the message that His promises stand! However much you give up on Him, He'll not forsake you. (pause) In the Psalms He speaks to this house: "How blessed is everyone who fears the Lord, Who walks in His ways. When you shall eat of the fruit of your hands, you will be happy and it will be well with you. Your wife will be like a fruitful vine, within your house, your children like olive plants around your table. + Behold, for thus shall the man be blessed Who fears the Lord."8 Song: WHERE DO WE GO FROM HERE - Zechariah, Elizabeth & Anna 6:05 [3] ANNA Well, the Lord will forgive, but the High Priest won't if you're late. Get your things and we will return to the temple together. ZECHARIAH (caught off-guard; looking to Elizabeth) But, I haven't-- ANNA You see, he had forgotten! ELIZABETH (with wifely patience) I remembered. I packed your belongings, Zechariah. (hands satchel to Zechariah) Here. And may the Lord protect you on the road to Jerusalem. (She kisses Zechariah on the forehead) ZECHARIAH (eyeing Anna with suspicion and dread) May the Lord protect me from my traveling companion. [Anna scowls as they exit together.] Lights go to black. Act One, Scene Two ------------------ Jerusalem temple Lights up - 1/4 to 1/2. "Glowing" lights up in altar. [Zechariah is before the altar, burning incense.] [4] ZECHARIAH Answer me when I call, O God of my righteousness! Be gracious to me and hear my prayer.9 Your law, O Lord, is perfect, restoring the soul; Your testimony is sure, making wise the simple. Your precepts are right, rejoicing the heart; Your commandment is pure, enlightening the eyes. Your judgements, O Lord, are true; They are righteous altogether.10 Accept the sweet aroma of this offering and hear my prayer.11 Make me know Your ways, O Lord; Teach me Your paths. Lead me in Your truth and teach me, For You are the God of my salvation; For You I wait all the day. Remember, O Lord, Your compassion and lovingkindness, For they have been from of old. Do not remember the sins of my youth or my transgressions; According to Your lovingkindness remember me, For Your goodness sake, O Lord.12 Hear my cry, O God! Give heed to my prayer!13 + Do something dramatic with the lights simultaneous with music--such as kicking them up full at downbeat. Song: HE WILL BE GREAT - Zechariah and Gabriel 4:21 [5] Act One, Scene Three -------------------- Zechariah's house Lights up on interior of Zechariah's house. [Elizabeth is seated, facing the audience, busy with something domestic--such as fixing vegetables for a meal. Zechariah enters excitedly. His eyes are aglow with the wonder of his temple experience. He rushes to Elizabeth--who is seated with her back to his entrance. Just before Zechariah reaches her, Elizabeth hears him approach.] ELIZABETH (standing and turning; putting out her arms to embrace him) Welcome home, Zechariah! [Zechariah stops her with his hands on her shoulders. He tries to speak, excitedly, but nothing comes out.] ELIZABETH (mystified) What's the matter? [Zechariah then remembers he can't speak (hits his forehead) and guides her back to her chair (you aren't going to believe this!).] ELIZABETH (with greater urgency in her voice) What's happened, Zechariah? [Zechariah pauses to collect his thoughts (how am I going to explain this).] ELIZABETH (insistently) And what happened to your voice? Why can't you speak? [Zechariah lifts his eyes to heaven in frustration and presses on. He points back in direction from which he has come (Jerusalem) and makes motions of worship similar to those in his previous scene before the altar.] ELIZABETH (impatiently) Yes, I know, you've been at the temple (begins to stand) and I'm sure glad you're back; there're plenty of things that need work around here-- [Zechariah stops her by gently pushing her back into her chair and continues, shaking his head no, that she has misunderstood. He goes through the motions again and points to Jerusalem, more insistently.] ELIZABETH (patiently) Okay, okay; you were at the temple. What happened at the temple? [Zechariah points to heaven, stretches his arms out (as something descending) tries to portray something glowing (open hands framing face, look of wonderment on his face).] ELIZABETH (irritated) You were out in the sun? Zechariah! You know that's not good for you-- [Zechariah shakes his head, wearily, no. He assumes attitude of prayer, then looks up, as if seeing something wonderful.] ELIZABETH (cautiously) God spoke to you? [Zechariah nods excitedly and makes the motion again with arms outstretched.] ELIZABETH Oh, an angel! An angel of the Lord spoke to you. [Zechariah nods happily, breathes a sigh of relief that he's finally got through. With great moment, he points to her stomach then pretends he is holding a baby.] ELIZABETH (after a pause for it to sink in; with great excitement) I'm going to have a baby? (quick disbelief; sternly) Zechariah, have you been in the wine offering again? [Zechariah holds up his hand (honest) and breathes on her face to prove his sobriety.] ELIZABETH (belief slowly spreading across her face) Praise God! I'll be a mother, after all. The Lord has blessed me and I'll have a child! (stopping herself; back to Zechariah; more seriously) But how is this to be? How will it happen? [They both stare at the floor, then slowly look up at each other, thinking; together they realize if this is to happen, they must do something about it. With eyes twinkling, they join hands, turn toward the interior doorway and exit.] Lights go to black quickly as Zechariah and Elizabeth exit. Act One, Scene Four ------------------- The local synagogue [6] [The Rabbi, Thomas and Aaron are sitting together, discussing the scriptures.] If possible, begin with rabbi in small spot. If not, lights at 1/2. RABBI (simply; reading from a scroll) "O God, give your judgments to the king, and your righteousness to the king's son." Lights widen; up full. RABBI (continuing without pause) "He shall judge your people in righeousness and your poor in justice. The mountains shall lift up peace to the people, and the little hills through righteousness. He will vindicate the poor, save the children of the needy, and crush the oppressor." 14 (placing the scroll before him or rolling it up before continuing; to his students) What is this psalm of Solomon telling us? Who is this King of whom he speaks? AARON (after he and Thomas spend a moment in thought; beginning hesitantly) It sounds to me as if Solomon speaks of himself and his father, David. THOMAS (quickly agreeing) Of course. There was never a king so just as Solomon. Surely his wisdom came from the Lord. RABBI (shaking his head; irritated and disappointed in them) You'll never grow in the knowledge of God's word until you learn to read beyond the literal. Our books of scripture are more than a telling of our nation's history. They're truths we're to use in the conduct of our lives. [Aaron and Thomas begin to speak, but the Rabbi continues.] RABBI More than that, in the scriptures you'll find beacons of light showing us the way of the future--prophecies telling the future as if it were already history. THOMAS So tell us: who is this mysterious king? AARON (innocently) Is it our King Herod? [Anna silently enters the synagogue.] RABBI (reacting with horror at what Aaron has just said) Get out of the synagogue! How dare you blaspheme in a place of worship! THOMAS (quickly) Rabbi, forgive us. AARON We wish only your knowledge. Please, have patience with us. ANNA (from a distance; sarcastically) Thrashing your students again, I see. Is this a new technique for learning the scriptures? RABBI (noticing her for the first time; curtly--they've never got along) Mind your business, Anna. You'd also thrash those who refer to Herod as the Messiah. ANNA (curious; moving closer; eyes twinkling with delight) Oh, this is new--and in what book will I find such information? THOMAS (his feelings hurt) Come, Aaron. We have better things to do than to listen to others laugh at our ignorance. RABBI (taking charge) Please, sit down. Let's continue our lesson. ANNA (sitting with them) Oh, by all means. RABBI (casting a wary and wearisome eye towards Anna) This passage, written by Solomon, is clearly a prophecy of our glorious Messiah--our savior. And from this passage we can learn something of the nature of our coming King. [Anna leans forward, expectantly.] RABBI (continuing) Notice the strength of the words: "He will judge the people with righteousness; He will vindicate the poor; save the needy; and crush the oppressor!" [Anna lifts her eyes to heaven.] RABBI (continuing) Certainly, Solomon in all his wisdom, is telling us that our savior will be a powerful king--ruling with a just, iron hand. [Anna interrupts by raising her hand for attention.] RABBI (with irritation--he had hoped to be able to ignore her) What? ANNA Is the good rabbi familiar with Isaiah--? RABBI (wearily) Of course I am. ANNA (continuing) --where he writes, "He will bring forth justice to the nations. He will not cry out or raise His voice, nor make His voice heard in the street." 15 RABBI (losing patience with the woman and resenting her intrusion into his class) What is your point? (sarcastically) That our king will become the footstool for others? ANNA (firmly) I suggest that our Lord will have a strength foreign to us--because it will be a strength displayed by humility. More to the point, how can we, with our simple minds, know the character of our Anointed One? We don't know His nature--nor do we know the nature of His coming. Why, for all we know, one of these fine boys will be the Anointed One! [Thomas and Aaron glance at each other and preen at the thought.] RABBI (with a withering look) Anna, just what was your reason for coming here? ANNA (after a beat, having to remind herself) Oh, yes. Have you heard about Zechariah's adventure in Jerusalem? AARON (interested No! THOMAS (Zechariah's a good friend of everyone in the community) Is he back already? ANNA (slyly) Well, most of him. AARON Huh? RABBI (curtly) None of your riddles, old woman. Tell us what happened. ANNA (relishing the chance to tell her tale) I was in a crowd of people at the temple--in prayer while, inside, Zechariah burned the incense. Our prayers were ended and still he remained inside. It was strange for him to stay in there so long. We were getting worried. Suddenly, Zechariah came running out. At first, we thought him a madman. His eyes glowed as if they had beheld something not of this world; his face radiated some miraculous experience. We tried to calm him down--but we could see that something extraordinary had happened inside. AARON (after a beat, waiting for Anna to continue) Well, what was it?! ANNA (enjoying the suspense) I'm getting there! At first we thought he was only in shock and couldn't find his voice. But we soon realized his voice was completely gone. His arm-waving and signs were difficult to translate, but eventually we understood. (pause; dramatically) While in the temple, burning the incense offering, he had seen a vision--an angel of the Lord. This angel told Zechariah that his prayers had been answered--and he would have a son! AARON Wow! THOMAS (not disrespectfully) Good old Zechariah. He'll finally be a father. RABBI (with awkward solemnity) Does Elizabeth know this yet? ANNA (getting up; grinning) Oh, I think she knows by now. (pause) Well, if you'll excuse me, I have others to tell. (with teasing formality) Good day to you, gentlemen. I leave you to continue with your lessons. [As Anna reaches the door, Thomas calls out to her.] THOMAS But Anna, you didn't tell us why Zechariah lost his voice. ANNA (turning back slowly; now truly serious; with weight) Because he did not believe. [Anna exits.] Lights slowly go to black. Act Two, Scene One ------------------ Zechariah's house [7] [Elizabeth is seated, alone in their house. She is in profile to the audience--and clearly 6 months pregnant. She is making something for the baby. While she busies herself, the baby kicks and she reacts happily--and begins talking to the baby.] ELIZABETH (in a soothing tone) Oh patience, my baby John. There's time enough before you'll be joining us in this world. (with a sigh) God has surely chosen a strange time for you to be born. (sarcastically) We're a part of the great Roman Empire--aren't you proud? We're surrounded by the affectionate troops of Augustus Caesar! Why, they see to all our needs and guarantee we'll always have work--the better to pay our taxes, you know. (still sarcastic) And our good and kindly King Herod sees to our protection. You'll like Herod--such a stable person. (a more normal tone) The world's ready for you, John. (with pride mixed with wonder) You're to be part of the Lord's solution. Just how is still a mystery to me--but I trust in my God. He's answered my plea and has promised great things for you. (pause, thinking) You'll have a good life, John. Our hill country is a rugged place--the desert's at our door--but it's a suitable school for a young boy. (pause) You'll learn the way of the land. And your father will teach you the ways of the Lord. (short pause) Well, what do you think of your father so far? Oh, I know, his head's buried in the scriptures all the time, and he too easily loses touch with things going on around him. But right now you're the most important person in his life. And he already loves you so. (short pause) Zechariah will be a good father, and it'll be easy for you to obey him. (after a longer pause) You'll have to be patient with us, John. You see, we're already old and unaccustomed to having a baby about the house. This will be a new joy for us--a joy that will teach us patience. (shaking her head) Oh John, sometimes I just can't believe this is happening to me! (with gathering excitement) For the first time, there's new life inside me--placed there with the blessings of God! Sometimes it's too much for me to comprehend-- that I would be so blessed in my old age. What have I done to deserve God's favor? + Song: I CAN'T BELIEVE IT - Elizabeth 2:20 [8] If facilities permit, lower lights to 1/4, except on Elizabeth. [After the song, Zechariah, having entered during the previous song, is seated at the table.] ELIZABETH (turning and noticing Zechariah) O, Zechariah! Isn't it wonderful? Soon we'll be parents--really parents! [Zechariah fiddles with something on the table.] ELIZABETH (sweetly) Dear, why don't you see who's at the synagogue today. [Zechariah shakes his head no; he'd rather stay home--somthing he's been doing quite often, since losing his ability to argue at the synagogue. At the table he is creating more of a mess than helping Elizabeth.] ELIZABETH (sweetly, but with more force) Zechariah, I'm sure they miss you at the synagogue. Even if you can't teach, you can be there to assist--and maybe learn yourself. [Zechariah gives her a "don't bother me" look and continues what he is doing, fumbling all the more, and making quite a mess of things.] ELIZABETH (finally losing all patience; taking the things away from him as one would a child; sternly) Zechariah! Go to the synagogue! [Elizabeth shoves him out the door. (Zechariah exits) She then returns to the table, redoing what Zechariah has done and cleaning up the mess.] ELIZABETH My poor husband; he's gone from priest to pest in six short months. He is a dear, but my nerves are-- MARY (from offstage) Elizabeth? Elizabeth, it's Mary! ELIZABETH (grasping her stomach as the baby gives a good kick; with joy spreading across her face) Mary?! Oh, come in Mary. [Mary enters and they embrace; they are not only relatives, but good friends.] ELIZABETH (her voice bordering on awe) How is it that the mother of my Lord should visit me? Why am I so honored? MARY (pleasantly surprised) Then you know! ELIZABETH (embracing her again) Mary, when I heard your voice outside the door the child in my womb leaped for joy. (with great wonder bordering on confusion) The child within me recognized who it was outside the door before I did. I only know what the Spirit of God placed in my heart as you entered. MARY It's still so new to me. I'm not sure I'm here to share in your joy or tell you of mine. (soberly) All I can say is, I was compelled to come to you after the angel of the Lord came to me. ELIZABETH (directing Mary into the room to a bench or chair) You must be tired after your journey. Come, sit down. MARY (after sitting; explaining further) The angel told me--he told me even about you. (reciting; working through the recollection) "Your relative, Elizabeth, in the city of Judah, has conceived a son; and she, who is of old age and was once called barren, is now in her sixth month." 16 [Elizabeth hands her something to drink, then sits down next to her.] MARY (continuing) I thought-- I don't know what I thought! Why has God suddenly chosen to smile upon this family? (with youthful exhuberance) This is fantastic! Why me? ELIZABETH (incredulously) Why you? Why me? An old woman who had given up on God hearing her prayers and now . . . (motioning to her stomach; maturely) It's not for us to always know the "why"; it's enough for us to realize that for our God, nothing is impossible. MARY (quickly) That's what the angel said to me! (pause; maybe getting up and moving about) I was still in shock, and he said, "Your womb will be filled, and you will give birth to a son--and you'll name him Jesus."17 (losing her tone of wonder and awe--more like herself) I was quick to point out I was still a virgin. But he looked me straight in the eye and said, "Mary, nothing is impossible with God."18 Well, let me tell you, I believed him! ELIZABETH You are special, because you've believed. You've been selected by our Lord because you have the simple faith that what He says, will be fulfilled. And fulfilled for all people through you. + MARY But it's too much. I'm only a girl. ELIZABETH (quickly) God sees the maturity of faith inside you. MARY (measured) I want to be His servant, but there are others much more deserving-- Song: Trust His Heart (from From Heaven's Throne) - Elizabeth and Mary 4:42 [9] [Elizabeth sings.] MARY (at interlude p29; soberly) Yes. From now on, His will is my will. Let it be done to me just as He said.19 [Mary sings.] During Interlude that begins p30, m29 . . . [Elizabeth warmly embraces Mary as she finishes singing.] Elizabeth You've done a lot of growing up since I last saw you. MARY (becoming serious) Maybe not enough. (more to herself than Elizabeth) I don't know . . . Am I ready for this? ELIZABETH Is anyone? MARY People won't understand. ELIZABETH (after a moment's thought; agreeing) No, they won't. But He's already worked that out. Just leave tomorrow to the Lord. [Elizabeth continues singing (p31, m38).] Lights slowly fade to black on the two women as the Trax fade. Act Three, Scene One -------------------- Outside the house of Zechariah Lights up - (evening). [Zechariah, the rabbi, Thomas and Aaron are seated closely together awaiting the birth of Zechariah's son. The other men are in a good-natured--almost celebratory--mood, but Zechariah is uneasy and concerned about the event taking place inside.] THOMAS (with comfortable bonhomie) Soon our good priest will be a father. AARON (with gentle sarcasm) A bit gray around the edges for a new father, but deserving of the position. THOMAS (jokingly) His gray hair is his wisdom. AARON I'm glad I haven't that much wisdom! THOMAS (to Aaron) When you're Zechariah's age you'll wish you could still have children. AARON When I am Zechariah's age I'll wish only to be alive! RABBI (sternly) Be still, you two! Let the poor man suffer his anxiety in peace. It's bad enough he must suffer in silence, he can do well without your insolence. [Zechariah tries to interject.] THOMAS (flippantly; ignoring Zechariah's attempt to say something) Don't worry, Zechariah--these things are in the hands of God, and He'll see that all goes well. (strutting) Why, my two sons came into this world with little effort-- AARON Ha! Let's ask your wife about that. RABBI I hear it was no holiday for her. [Zechariah tries to interject again.] THOMAS (to the others; ignoring Zechariah again) What I mean is, we already have our Lord's word that this will be a healthy child. God himself has ordained the birth. We even know that it'll be a son. (pause) So what is there to worry? [Zechariah tries again, even more insistently, to interject.] RABBI (still ignoring Zechariah) Yes, we know the child will have a healthy birth, and we know he'll be a great man for our tired nation, (to Thomas) but you're forgetting that your wife was still in her youth when she gave you two sons. [Zechariah nods his head vigorously; this is what he has been trying to say all along.] RABBI (continuing) Elizabeth is well-past her youth and inexperienced in these things. God's hand may be on the child, but the delivery will be hard on the mother. AARON But we have the assurance from the Lord. RABBI (somberly) Only for the child. AARON Surely the Lord won't harm the mother of a prophet on the happy day of that prophet's birth. RABBI Remember the story of Moses? How on the most important day of our faith--the day God gave us His laws and commandments--three thousand men were put to the sword because of the wrath of God. AARON But-- RABBI The Lord works His will through us--not for us. We can't question the wisdom of His ways. THOMAS (to the rabbi; angrily) I won't hear any more of this! This God you describe is not logical--and I don't think He is my God. RABBI (flaring back angrily) Then you don't know your God. (pause; cooling off; to Zechariah) I wish no ill upon Elizabeth. She's a good and righteous woman and the Lord is surely watching over her. (to the others) But understand this for your own good: Don't apply human logic to the Lord's will. He's not bound by our self-centered ideas of right and wrong. He sees beyond our short-sighted logic to the culmination of His plan. [Thomas and Aaron grudgingly accept the rabbi's wisdom and nod their heads in agreement.] RABBI (continuing, more boldly) When you two have a few more gray hairs on your head, then you'll better accept the "logic" of the Lord. (pause) But you were right about one thing--this is a happy night. Our priest is finally to be a father after all this time-- AARON (jokingly) And none too soon! One more day without his tongue and I do believe Zechariah would have gone mad. (searching for the imagery) A priest without his voice is like a jar, filled with rich wine--but with no spout to let the wine out. THOMAS (with mock solemnity) I've come to prefer Zechariah just as he is--without his intoxicating words. He-- [They are interrupted by a commotion offstage. The midwife enters, opposite, and all attention is drawn to her.] MIDWIFE (proudly; so everyone can hear) Zechariah, you have a son! [The men rejoice at the good news as Zechariah quickly goes to the midwife. As he moves toward her she continues.] MIDWIFE He's pink and healthy, and happy--and--beautiful! [Zechariah grabs her by the shoulders and glares silently into her eyes. He is not yet convinced.] MIDWIFE What is it? The baby's fine. (pause; finally understanding Zechariah's concern) Oh, that. Elizabeth is resting comfortably. She came through it like a woman half her age. [At this Zechariah brightens instantly, embraces the midwife, and embraces the men, joining in their celebration.] Lights go to black quickly. Act Three, Scene Two -------------------- Interior of Zechariah's house [10] [All are gathered to witness the circumcision and dedication of John. Elizabeth, Mary, Anna and the midwife are gathered at a respectful distance. Around the child are the rabbi, Zechariah, Thomas and Aaron. The rabbi begins his lines before the lights come up on scene.] Small spot on rabbi only. RABBI O Lord, fill this child with the Holy Spirit, To accomplish Your righteousness; Give unto him the strength of many, To make ready the people for the Lord.20 Lights up on rest of characters. RABBI (continuing without pause) Bless his substance, And accept the work of his hands; Shatter the loins of those who rise up against him, And those who hate him, so that they may not rise again.21 Into Your hands we commend this one, The first-born of Zechariah and Elizabeth; May he know Your wisdom, and serve you without fear.22 [The rabbi kisses the forehead of the child.] THOMAS (joyfully) Praise be to God! AARON (to Zechariah) May the God of Abraham bless this child. [The women murmur their approval as Elizabeth beams proudly.] RABBI (confidently) And now for his name. (lifting the baby) Almighty God, we offer unto You the child . . . (hesitating; looking to Elizabeth) Elizabeth? ELIZABETH (firmly) His name will be John. RABBI John? ELIZABETH (with resolve) He will be called John. THOMAS Why that? (to Aaron) A curious choice. ELIZABETH He'll be called John. You may ask his father. RABBI Zechariah, what will you name the child? [Zechariah requests a tablet. It is handed him by Aaron and all wait expectantly as Zechariah writes in bold letters "John". He holds up the tablet so that all, including the audience, can see. Everyone registers astonishment--except, of course, Zechariah and Elizabeth. Zechariah suddenly regains his voice.] Song: BLESSED BE THE LORD - Zechariah and Company. 2:37 [As the song ends, the rest of the cast gathers around Elizabeth and the child--all but Zechariah and Anna.] Lights fade down to 1/4 on everyone but Zechariah and Anna. ANNA (grudgingly; a bit awkward) So, Zechariah, you're now a father. ZECHARIAH (beaming; happy to set aside past differences) So, Anna, I have a beautiful son, don't I. ANNA (looking toward the child; soberly) He'll know hardship. ZECHARIAH (drawing back) What are you saying? ANNA This child--this servant of God--he'll have a hard life. He'll know bitterness and anger. ZECHARIAH (angry himself; disappointed) Must you always bring rain upon a sunny day?! ANNA (quickly) I bring only the word of God. (pause) You foolish man. Do you think the one who paves the way will not soil his knees? Will the one who tells the sinner to repent be welcomed into the sinner's home? This child will grow to know the solitude of piety. In the harsh embrace of the wilderness he'll meet his God--and it'll be there that his God will prepare him for his task. ZECHARIAH (solidly; refusing to relinquish the joy of the moment) This child--my John--will be great. The angel of the Lord told me so! ANNA Yes, he will be great and he'll accomplish great things, but-- ZECHARIAH (returning to his celebratory mood) Then this is a great day for rejoicing! This day we've become an important part of God's plan for our salvation. + [Zechariah steps back to his other guests, while Anna crosses directly to the baby John.] ANNA (with quiet strength) We're only a small part--of the beginning--of something much more than we can comprehend. Fade in Trax to GO CHANGE THE WORLD (from p54, m108 in "From Heaven's Throne") - Anna, Zechariah & Elizabeth 1:45 [11] [As Zechariah and Elizabeth hit p58, m30 ("heart--") they are joyously surrounded and congratulated by all in attendance.] At p58, m30, fade out trax slowly. Lights slow fade to black as trax fade. END OF THE PROPHECY NOTES: 1 John 1:27,15. 2 Ecclesiastes 3:1-2a. 3 Psalm 34:19-20. 4 Psalm 34:17. 5 pronounced uh-bye'-juh. 6 Isaiah 40:3-5. 7 Malachi 3:l. 8 Psalm 128:1-4. 9 Psalm 4:1. 10 Psalm 19:7,8,9b para. 11 Original. 12 Psalm 25:4-7 para. 13 Psalm 61:1. 14 Psalm 72. 15 Isaiah 42:1b-2. 16 Luke 1:36. 17 Luke 1:31. 18 Luke 1:37. 19 Luke 1:38. 20 Original. 21 Deuteronomy 33:11. 22 Original. PRODUCTION NOTES: The following notes are included as a courtesy to less-experienced directors. They are intended only as suggested options. [1] The interior of Zechariah's house can be as simple or detailed as you wish. Here are the minimum set pieces you need: - a table, with bench or stool - another bench or stool - some type of rack or holder for firewood These are the minimum props needed for Act 1/Scene 1: - large armload of firewood - something domestic, such as shelling peas or mending clothing, as handiwork for Elizabeth - walking stick for Anna (optional) - a bag for Zechariah's belongings for his journey to Jerusalem The scene may be dressed up with more set pieces or props at the discretion of the Director. [2] Suggested blocking for "A Promise is a Promise": p24, mA (1st time): Zechariah, roughly DC. p26, during 1st ending: Elizabeth X to Zechariah. p24, mA (2nd time): Elizabeth. p25, bottom line (2nd time): Zechariah joins singing; they take hands, singing to each other. p27, mB (3rd verse): lights kick brighter, they step apart, slightly, and face out. p30, "He'll do.": end song in unison. [3] Suggestions for blocking during "Where Do We Go From Here": p32, mA: Zechariah sings to Anna; change verbs to present tense (see changes in book). p34, mB: Elizabeth sings to Anna. p35, bottom: Zechariah joins (tenor line). p36, during interlude: Zechariah and Elizabeth slowly move to opposite sides of the stage (DR/DL). p37, mC: Zechariah sings out, to God. p38, top: Elizabeth sings out, to God. p39, mD: Zechariah, same. p40, top: Elizabeth sings while Zechariah X to her. p40, 2nd line: they sing unison. p41, mE: Zechariah sings out, to God. p41, bottom line: Elizabeth joins. p42, pickup to mF: Anna sings. p44, top line: Zechariah and Elizabeth join Anna, agreeing. p44, mH: Anna solo. p46, end of 2nd line: Zechariah and Elizabeth join Anna, agreeing again. [4] The altar would be a simple, perpendicular cube, painted to look like stone. There would be "horns" at each corner (or, put another way, each top corner, around the basin, would be raised to a point; picture supplied if requested). Use lights inside the altar to make it seem that something is burning. The incense could be that, or anything that would make a small amount of smoke. [5] p59, mH: begin dimming lights slowly or (better) mixing in darker colors until final beat of song go to black. [6] Minimum set for Act 1/Scene 4: All you need is something for each man to sit on--plus something else for Anna when she joines them. This should be in keeping with the rest of your production. If the opening scene (Interior of Zechariah's house) is detailed, then you should do the same with this, making it look like the interior of a synagogue. If, on the other hand, you are taking a more minimalist approach with the other scenes, the same should apply here. Just make the rabbi's seat slightly higher than the rest. [7] The ideal activity for Elizabeth as this scene opens would be knitting or crocheting booties. The only other props need in this scene are as follows: - some kind of domestic activity for Zechariah to get tangled up in (such as cutting up vegetables or, better, trying to knead a pile of flour-dusted bread dough) - give Mary some traveling items, such as a shoulder bag for her belongings, walking stick, etc. - water jar, drinking cups and water for Elizabeth to offer Mary something to drink [8] Zechariah enters while Elizabeth is singing. He (for example) takes a seat at the table, watching and listening to his wife with pride and admiration. [9] Suggested assignments for "Trust His Heart": fade in trax from p27, m13 (From Heaven's Throne) as intro under dialogue. p28, m1 to p29, m9: Elizabeth sings to Mary in answer to her (Mary's) misgivings. p29, m9-12: dialogue. p29, m12: Mary sings in reply to Elizabeth. Note lyric change! On page 30, beginning at m24 (when Mary is singing) change "So when your pathway grows dim, and you just can't see Him, remember, you're never alone." to "So when my pathway grows dim, and I just can't see Him, I'll remember, I'm never alone." (add an eighth-note on beat 4, m26 for added word "I'll".) p30, m29: dialogue; trax continue. p31, m38: Elizabeth (or Mary) sings. Note lyric change! Change the line that begins with the last note on p31 from "So don't live as those who have no hope" to "We won't live as those who have no hope." p32, m46: Mary (or Elizabeth) sings. m49: Both sing to each other. p34, m63 to p38, cutoff: no choir; Eliz and Mary continue [10] Props and set pieces for this scene: - use the original table, but drape a blanket or cloth over it to denote the ceremony - small, slate board for Zechariah to write on - a crude knife for the circumcision (optional; it wouldn't really be used) - bowl of water (optional) [11] Suggested assignments for "Go Change the World": fade in Trax from p54, m108 for intro to Go Change the World. p55, m5: Anna sings to the baby John. p57, m21: Zechariah and Elizabeth. p58, m31: as Zech and Eliz cutoff, trax continue with a very slow fade out as entire cast enthusiastically congratulates the two new parents. ---------------- COPYRIGHT NOTICE ---------------- This script is Copyright (C) 2012 David S. Lampel. This data file is the sole property of David S. Lampel. The data file may not be altered or edited in any way. It may be reproduced only in its entirety for circulation as "freeware," without charge. All reproductions of this data file must contain the copyright notice (i.e., "Copyright (C) 2012 David S. Lampel"). This data file may not be used without the permission of David S. Lampel for resale or the enhancement of any other product sold. This includes all of its content. Brief quotations not to exceed more than 500 words may be used, with the appropriate copyright notice, to enhance or supplement personal or church devotions, newsletters, journals, promotions, or spoken messages. Permission is hereby extended for this script to be printed for rehearsal and performance use. Copies may be reproduced in sufficient number for the director, actors, and technical personnel, as long as each copy contains the copyright notice (i.e., "Copyright (C) 2012 David S. Lampel") ----------------- USING THIS SCRIPT ----------------- For electronic distribution, the Internet version of this script uses the following conventions: * character names are in ALL CAPS. * stage directions within a character's line are enclosed in parentheses (e.g., "(with anger)"). * stage directions without are enclosed in brackets (e.g., "[They exit.]"). * the plus sign (+) indicates when to cue trax or begin intro for next song ---------------------------------------------------------------------- These plays and musical resources are made available free-of-charge, without obligation, in service to our Lord and to His glory. ---------------------------------------------------------------------- David S. Lampel Winterset, IA 50273 USA Complete resources at http://hc.dlampel.com/ "For from Him and through Him and to Him are all things. To Him be the glory forever. Amen." (Rom 11:36) 20120305